People come to these semi-public spaces for all kinds of reasons: pleasure, necessity, because of their beliefs or to sit out a prison sentence. Visitors could enjoy the sixth edition of Contour at four exhibition locations in Mechelen: the prison, KV Mechelen football stadium, the Church of Our Lady over the Dyle and the Hof van Busleyden museum. Entitled Leisure, Discipline and Punishment, it explored social functions and relationships in society. The curator was Nicola Setari.Ĭontour 2013, the 6th Biennale for the Moving Image, was shaped by the Danish curator Jacob Fabricius. These works, including many new creations, drew their inspiration from the utopias, monsters and martyrs of the past and present. During a stay in Flanders in the summer of 1515, during which he also visited Mechelen, More wrote the lion’s share of his book on the ideal state, the island of Utopia.ĬONTOUR 7 presented work by more than twenty international artists at various locations in Mechelen. Either way, he was a brilliant fool far ahead of his time. Viewed by some as a martyr, by others as a monster, he was also an artist and philosopher. ĬONTOUR 7, the seventh edition of the Biennale, was dedicated to the humanist, statesman and writer Thomas More. Films, videos, installations and performances immersed visitors in a world of law, jurisprudence and justice.Ĭontour Biennale 8 was held from Saturday 11 March until Sunday. Each of the art works explored the theme of justice from its own perspective. This court in Mechelen was the judicial centre of Europe. Contour Biennale 8 showed contemporary art against the backdrop of the 400-year history of the Great Council. More than twenty local and international artists presented new and recent cinematic work at various locations in Mechelen. The eighth edition of Contour Biennale was held in spring 2017, shaped by the South Asian curator Natasha Ginwala. Contour Biennale 9 ended in the weekend of 18, 19 20 October 2019. The curator also initiated an educational programme called the “Transnational Alliance” that ran parallel to the biennial and explored similar themes. Petrešin-Bachelez engaged more than 50 contributors to shape this edition. Three long weekends formed the spine of the biennial. Contour Biennale 9 therefore became an elongated continuum that began with an introductory phase on 25 October 2018. Under the title “Coltan as Cotton” she asked pertinent questions like “What can a biennial be today and how can we organise it in a more sustainable way?”. She challenged the existing Contour format by no longer opting for a continuous exhibition in several places in the city. Nona arts centre appointed Nataša Petrešin-Bachelez as curator for the ninth edition of Contour Biennale. The curator will be appointed in June 2021. The tenth edition is planned to be held in the autumn of 2023. Contour has been part of nona arts centre since January 2017. It focuses on the moving image, but also features installations, sound and performance. Since 2003, Contour Biennale has occupied a distinct position in the visual arts in this country, with a name that resounds far beyond the national borders. It is a unique platform for anyone interested in the moving image. The biennial has progressively expanded its horizons to produce public events and installations.Ĭontour Biennale has made a name for itself far beyond Belgium. Contour Biennale was established in 2003 as the Biennial of Moving Image, a platform to curators and artists working with different forms of moving image, from film and video to installation.
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